X-Men: First Class (2011)

Well, this is embarrassing. I purposefully avoided X-Men: First Class for a variety of reasons I hope I’ve explained in past X-reviews. Come to find out, not only is it better than it has any right to be, not only is it easily the best X-Men movie of the series…for me, it’s also the best superhero movie of Summer 2011.

But after eleven years and four increasingly crappy movies, can you blame me for being skittish? No. Of course you can’t. Even the so-called “good” X-movies are lousy with basic plot and story problems everyone ignored at the time because we were too busy being happy they existed in the first place. Along comes First Class, a film that feels like its makers kept one eye on a gargantuan check-list of those problems…and the other on the clock. It still has the multitudinous problems of a Superhero Team Movie, and especially a superhero Team Movie made by Fox, but unlike every other superhero movie of Summer 2011, First Class feels like an actual film. Continue reading

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2012 (2009)

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A Time to Break Silence

In honor of a great man and his birthday we present the speech they should’ve told you about in school. Oh yes, I say it plain: this is “Beyond Vietnam: A Time to Break the Silence.” “And we are now faced with the fact, my friends, that tomorrow is today. We are confronted with the fierce urgency of now.”

Originally delivered at the Riverside Church, New York, New York, on April 4, 1967.

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Son of Godzilla (1967)

The family that slays together, stays together

The family that slays together, stays together

You’ll have to get over a few hurtles to enjoy Son of Godzilla, the first being its title. Japanese audiences knew this as Kaiju-shima no Kessen Gojira no Musuko. Obviously its American distributor changed the title to force a parallel with King Kong’s 1933 shameless cash-in sequel (which I like sooo much I rarely even speak its name). Nowadays, after decades of watching this film on television, there’s no way John Q. Public would ever pick up a copy of Monster Island’s Decisive Battle: Godzilla’s Son. What the fuck is that, when you can just call it “Son of Godzilla?” So Son of Godzilla it will forever be, with all the baggage that implies.

I’ve been alive long enough to see the stock of all twenty-nine Godzilla movies rise, fall and rise again…except Son of Godzilla. The fan view of this film remains as firmly divided as the two sides of the Grand Canyon. Half the fanbase loves this film and consider it a childhood classic they would gladly pass down to their own children. As I type this, my skin’s aching to peel itself off and crawl away from the computer in terror…but Son of Godzilla really is one of the first “family friendly” monster movies in the daikaiju cannon. There’s some…iffy stuff in their, sure…but nothing too hard for the little rugrats. No longer an avatar of nuclear horror, Godzilla’s story here is the story of a reluctant foster parent, trying to be the dad he never had. It’s Toho’s Disney movie, and its fans argue that makes perfect mulch for any budding G-fan. They’d recommend it to everyone, kids from one to ninety-two, with no reservation whatsoever.

I’m not one of those people. Continue reading

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A podcast from the After Movie Diner

No, I’m not dead, I’m just on vacation, thousands of miles from my equipment and the numerous films on my To Review list. That’ll continue for (at least) the next eleven days.

In the meantime, enjoy this episode of the After Movie Diner podcast, in which host Jon Cross and I discuss three DIY superhero films you might’ve seen around here recently: Defendor, Super and my perennial favorite, Kick-Ass. And happy holidays.

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Silent Night Deadly Night (1984)

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Trash Cutlture’s (Post-apocalyptic) Christmas in July (in December)

A review of the Christmas episode That Should Not Have Been from the long-canceled Fox TV series Whoops! Written by Chad Denton of Trash Culture and The Good The Bad and The Ugly fame. Presented by yours truly.

(Originally published July 25, 2011…as the title would suggest.)

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King Kong Escapes (1967)

"Damn giant, mutant therapods just don't learn, do they?"

"Damn giant, mutant therapods just don't learn, do they?"

Why yes, this is my favorite King Kong movie. Is my enthusiasm showing? Well, I’ll do my best to tuck it back as we explore this rarely-mentioned, esoteric bit of late-60s kaiju eiga. It’s about as far from Kong’s first adventure as you can get without being Mighty Joe Young…but that just means this movie’s escaped its prequel’s shadow…right? As far as my inner-twelve-year-old’s concerned, King Kong Escapes kicks ass. The rest of me would still recommend it to you…with the following 3000 words of reservation.

I mentioned how Godzilla vs. The Sea Monster began life as a King Kong movie, similar to how King Kong vs. Godzilla began life as King Kong vs. Frankenstein (which instead spawned Frankenstein Conquers the World). Behind Sea Monster and tonight’s film you’ll find a 1966 collaboration between Japan’s Toei Animation studio and America’s Rankin/Bass productions, The King Kong Show. As its title and production company credits suggest, the Show was a half-hour animated series reboot of Kong’s origin for an audience of mid-60s kids. So they replaced the ship full of filmmakers with a family of scientific adventures named…Bond…just not that Bond. Continue reading

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Trash Culture’s Dr. Who Reviews – The Web Planet (1965)

by Chad Denton

Who has two wings and is absolutely fabulous? This guy.

Who has two wings and is absolutely fabulous? This guy.

The TARDIS is dragged down by an unknown force to a planet named Vortis that appears completely desolate. While the Doctor tries to counteract the force, Vicki claims she can hear an intense humming noise. Suddenly the TARDIS is attacked by something that shakes the entire vessel. The Doctor is convinced that it’s a natural phenomenon, but Vicki becomes nervous. Ian and the Doctor set out to try to find the cause of the trouble, while Barbara begins to feel the strange urge to leave the TARDIS, an urge that finally overcomes her. Vicki screams for Barbara, which gets the attention of Ian and the Doctor. On their way back, Ian is caught in a web and the Doctor returns to find that the TARDIS along with Vicki is gone. Inside the TARDIS, Vicki sees through a monitor that the ship is being dragged by ant-like beings. Meanwhile Barbara finds herself among three winged aliens called the Menoptra, who interrogate her. Barbara learns that she was under the control of the Zarbi, the Menoptra’s enemies. While the Menoptra debate over what to do with her Barbara escapes, only to be captured by the Zarbi, who turn out to be the same entities that took the TARDIS. The Menoptra, who are scouts sent ahead of an invasion force, try to warn their leaders but are killed by the Zarbi except one, Hrostar, who is taken prisoner. Hrostar explains to Barbara that the Zarbi exercise their control of beings through gold (Barbara was wearing a gold necklace she had received from the Emperor Nero) and that they will end up as slaves. Elsewhere the Doctor frees Ian from the web and together they track the TARDIS to its location. There the Doctor, Ian, and Vicki are all seized by the Zarbi, who take them to an organic structure, the Carcinome, where their master, the Animus, resides. Continue reading

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Super (2010)

Judges say: meh, it's not that bad. 6.5 for effort.

Judges say: meh, it's not that bad. 6.5 for effort.

Now we come to Super, written and directed by James Gunn. A “dark comedy” apparently full of stunning, satirical insight. Or so you’d think if you believe what you read. I believe in using past experience as a guide. Some people might consider that an inexcusable bias…but some people need to check the tree in their own eye before they start bitching about the splinters in mine. And experience told me to stay the hell away from James Gunn after 2004′s Dawn of the Dead remake, which he wrote. No, I haven’t forgotten. Yes, I’m still holding that against him. Is that fair…? Probably not. But it’s not about what’s fair: it’s about what I want.

I wanted a cast of characters I could give a crap about, but Dawn of the Dead‘s bunch felt more like the subjects of someone’s half-assed social experiment. We were so far removed from them the script had to work overtime to characterize them through clunky, expository dialogue (the laziest kind of characterization around…apart from voice-over narration). So I went into Super with serious trepidations. I don’t watch The Office, so Rainn Wilson held no appeal for me. And sure, Ellen Page was in Inception…but before that, she played Shadowcat in X-Men: The Last Stand. Liv Tyler is…Liv Tyler. And Kevin Bacon is in serious danger of being typecast as The Villain.

Still, the things that annoyed me about Super have proved to be crowd-pleasing. So I once again get to be the asshole in the room who made the mistake of reading comic books back in the 1990s, when Super‘s pet issues were common storytelling currency and everybody took a whack at them (with a pipe wrench) sooner or later. I’ve seen this movie called “perhaps the definitive take on self-reflexive superheroes,” once again revealing film critic’s monumental ignorance of pretty much everything that doesn’t involve a current celebrity. Continue reading

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